David Caute's wide-ranging study examines how outstanding novelists of the Cold War era conveyed the major issues of contemporary politics and history. In the United States and Western Europe the political novel flourished in the 1930s and 1940s, the crisis years of economic depression, fascism, the Spanish Civil War, the consolidation of Stalinism, and the Second World War. Starting with the high hopes generated by the Spanish Civil War, Caute then explores the "god that failed" pessimism that overtook the Western political novel in the 1940s. The writers under scrutiny include Hemingway, Dos Passos, Orwell, Koestler, Malraux, Serge, Greene, de Beauvoir, and Sartre. Strikingly diff erent approaches to the burning issues of the time are found among orthodox Soviet novelists such as Sholokhov, Fadeyev, Kochetov, and Pavlenko. Soviet official culture continued to choke on modernism, formalism, satire, and allegory. In Russia and Eastern Europe dissident novelists offered contesting voices as they engaged in the fraught re-telling of life under Stalinism. Studies of Pasternak, Grossman, Chukovskaya, Wolf, Johnson, Kundera, and Vladimov lead on to Aleksandr Solhenitsyn, viewed as a uniquely gifted critic of the Soviet system. A sequence of thematic commentaries compare Western and Soviet fictional responses to the Moscow trials, terror, forced labor, and the nature of totalitarianism. The figures of Stalin and Lenin are shown to have fascinated novelists. The emergence of the New Left in the 1960s generated a new wave of fiction challenging America's global stance. Mailer, Doctorow, and Coover brought fresh literary sensibilities to bear on such iconic events as the 1967 siege of the Pentagon and the execution of the Rosenbergs. David Caute is a former Fellow of All Souls College, Oxford, and Henry Fellow at Harvard. A visiting professor at Columbia, NYU and University of California, Irvine, his most recent work is The Dancer Defects: The Struggle for Cultural Supremacy During the Cold War.